11:11

by Veronika Vendetta

  
The summer air has thinned and warmed enough that sounds travel quicker to your ear and heart.  I can hear the trains from my bedroom window now. Their horns reminiscent of wolves howling at the moon, beckoning me to be swept away from the ordinary, the mundane. They’re a call to action, an invitation to rejoin the pack, never letting me forget a time when falling asleep counting stars was commonplace and standing on the tops of cars after smoking peyote and screaming quotes from Macbeth to the starry-eyed gods was commonplace.

Rugged and worn boot leather crunching and displacing the gravel surrounding the railroad ties as I’d run and hop on my next adventure and the general grittiness and dirt of the lifestyle that seeped into every functioning part of my body whisper sweetly to me while I continue my efforts to just stay put. To just be somewhere for a while. To not be one of the countless friends and acquaintances I’ve lost on the rails to overdoses, greasing the track, and muggings. I strain to remember their faces but time has kindly been sweeping away the details for me for years now. They’ve effortlessly become shadows of the ghosts themselves.

To live for years never knowing where your next meal comes from or what state you’ll be in tomorrow when you wake up or if someone’s going to jump you while you sleep eats at you after a while. I got antsy, I got suspicious, and I had become the crazy hobo that I used to look out for when I ran away from home more than a decade ago and hopped my first train.

But the trains? They don’t ever let me forget,  blaring their horns at night when they pass by my house, almost as if to tell me that they’re waiting and that, sooner or later, they’ll carry me far away from here. A promise to start my life over not for the first time and, somewhat fatefully, not for the last.

Cab & Minnie: Sex, Drugs & Hi De Hi De Hi De Ho



by Deirdree Prudence

Black and shiny like onyx, greased waves curling into his eyes, a slam dance of a hairpiece up and down, Cab Calloway’s hair is a joy to behold, archived forever and ever on film.

The world would have been lost if the new generation didn’t have access to the spectacle of Cab Calloway’s hair.

I bet it smelled of sweet opium and hash.

That jitterbug was too much.

His parted Hitler meets John Waters mustache, his trademark threads of a white suit and coattails, the bellowing scatting and jive talking (he did, after all, write The Cab Calloway Jive Talk Hepster Dictionary) and dancing like a professionally trained epileptic, the entertainer that set the country aflame in the 1930s & ‘40s never would have been if it wasn’t for that diabolical, that wretched hussy, that red hot hoochie-koocher of the Golden Dragon opium den in Chicago, Ms. Minnie La Rue.

It was shortlived.
As are all love stories that realign the stars.
She was out of this world.

Living too fast a lifestyle with one of the most upping and coming big band leaders, Minnie was sent to a psychiatric hospital where she held hands with Zelda Fitzgerald and trillied into the clouds.

Cab went on to write 23 songs for his Min, his main queen, creating a persona for himself in Smokey Joe, and spun tales of the exploits they should have shared.

They were a solid murder to all the ickies out there, the squares who took his Min away.

He went on to have a long-lasting career, performing in movies, on Broadway and the makeshift stages of pallets in an alley of Skid Row. 

Every line of cocaine was for her.
Every toke of reefer,
Every kick of the gong around,

it was all for her.

“They took her where they put the crazies
Now poor Min's kicking up those daisies
She was just a good gal, but they done her wrong
Poor Min, Poor Min, Poor Min.”